concierto en instantes sonoros ‘08

2008-07-13 20:00

improvisación con vr-glove.
bocetos de películas y una canción.

muchas gracias a jorge mancini y fabiana galante por la invitación.

a thing on me

2008-06-15 12:41

delayed caresses on a soft voice.

a small experiment on sound treatment, based on caro’s voice and text.

a preview of future sound?

neural.it

2008-01-11 00:00

selected by jorge haro - suda001 [extreme noise - extreme nature]

“…composizioni di pablo reche, oe3+yaco, 1615 munro, tutti artisti argentini, alla cui delicatezza (e spesso melanconia) sono alternate invece forti costruzioni a base ritmica nel caso del brasiliano…”

www.neural.it, 2008-01-11

achik

2007-09-01 00:00

achik

a composition by oe3, based on pictures from lima, perú.

included in the cd ejercicios de desolación artificial iii published by aloardí.

Creative Commons License

vlv3:ta

2007-08-01 00:00

vlv3:ta

a remix of oe3-created sounds with some lo-fi-sample based textures added.

awesome post-mastering by rodrigo gallego and jorge haro at sonido plot, buenos aires.

included in the cd sudamérica electrónica 1 (compilado de audio #01) published by sudamérica electrónica.

Creative Commons License

janoide1 (2007)

2007-06-11 19:00

2007-06-11 - concerts in limb0 2007 #3 - janoide1
a dual sound art concert in secondlife and the real world.

a live concert in buenos aires’ museum of modern art and vibration institute’s secondlife headquarters presenting sound textures by santiágo peresón [yaco] and works by oe3, a prototype non-human composer, performed in real time. visual installations and video performance presented by los angeles audio/visual artist computo.

secondlife - 3:00 pm slt
vibration institute
kitsune (32, 112, 681)

buenos aires - 19:00 art
museo de arte moderno
av. corrientes 172, segundo piso

more info

oe4!

2007-03-07 00:00

i recently started working on oe4. will be a long ride:

  • nanoclt: nano cultures, societies of independent agents (’umpalumpas’) which qualify both incoming stimuli and created compositions, based on artificially self-generated non-random aesthetic criteria.
  • compgen: compositional techniques fully created by the system using puredata.
  • arachnes: ‘vagab’ module base, will search the Internet for stimuli.

the intention is to erase the human being (ie: me) from the circuit: stimuli are gathered by an autonomous module (vagab / arachnes), selected by another (nanoclt), used by another (compgen) and the its produced compositions are rewarded by another one (nanoclts again).

this will push human influence further away to become a more subtle (and difficult to avoid) interference, ie: the mental schemes in which the project is based, the criteria used to separate and assign tasks within the system, or the control of the subtle parameters inside it.